DENOISER 2 IGNORES MASK SKIN
2.26 Correcting an underexposed portrait and improving grainy skin (Mairi).2.25.11 Third merge using Color Burn blend mode.2.25.10 Second merge using "Soft Light (legacy)" blend mode.2.25.9 First merge using Normal blend mode.2.25.7 Adding a new RT-spot Color & Light - Advanced mode.
DENOISER 2 IGNORES MASK HOW TO
2.25 How to use the Common Color Mask and an example of how to blend 2 RT-spots.2.24 Blending a mask with the original image.2.23.2 Chroma noise can also have other effects on a mask.2.23 What can you do when the mask has a salt-and-pepper appearance? (under development).2.22.5.2 Recovery of the original image characteristics.2.22.5 Improved result with "Recovery based on luminance mask".
2.22.2 Strongly increase Lightness and Chrominance.2.22 Using a simple mask to improve color selection.2.21.4 Second merge using the Soft Light blend mode.2.21.3 First merge in Normal blend mode.2.20.1 Preparation – original image - Venice.2.19.2 The same image with Wavelet level tone mapping.2.19.1 An example … (don't run away, it isn't as difficult as all that).2.19 A moment of madness - try wavelets!.2.18.3.1.3 Final Adjustment - Saturation and Local Contrast.2.18.3.1.2 Second step: Local Adjustments, Blur/Grain & Denoise module.2.18.3.1.1 First step: noise reduction and tonal contrast adjustment.2.18.3.1 An example using Andy Astbury's harvest mouse image.2.18.3 A complex noise reduction problem: how to differentiate between uniform areas and areas with texture or detail?.2.18.2 Which settings should we use for denoising?.2.17.3 Additional processing with local Retinex.2.17.2 Processing with the Haze Removal tool (Detail tab in the main menu).2.16.5 Highlight Recovery using an Excluding spot.2.16.4 Partial recovery of highlights with mask.2.16 Log Encoding and Highlight Recovery.
DENOISER 2 IGNORES MASK MANUAL